According to the testimony of  Pure Opal, who provided police with these thirteen film posters, they were all designed by Ray Author himself.

“Ray wanted the whole package, marketing, distribution, he wanted the Dreamtime 79 to be a bone fide studio, that way he could extend his reach as far as possible, and legitimize what was ultimately a scam” According to Opal, the salvaged posters represent “about half of the movies we made… nobody could accuse Ray of being lazy”

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